Saturday, October 9, 2010

Friday, October 1, 2010

A little humor goes a Long way: Bishops and Bling and Drag

(All images from public domain or republished with permission)

Bishop Eddie Long of Atlanta

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Patriarch of Moscow and All-Russia,
Bishop Kyrill I
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Pope Benedict XVI, Pretty in Pink
Bishop of Rome
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Bishop V. Gene Robinson of New Hampshire

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Joey, late BISHOP of LATE NITE
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Rapper Arch Bishop Majic Juan
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West Coast Rapper, Bishop Lamont
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Bishop Katherine Jefferts Schori
Presiding Bishop, Episcopal Church (USA)
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AND LASTLY
A current Cartoon referring to comments by Archbishop Nichols of Westminster
about spreading the light, which COMMENTS can be found here

http://www.indcatholicnews.com/news.php?viewStory=16792


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republished by permission of jesusandmo.net

Tuesday, September 14, 2010

Gingrich Calls Obama A "Kenyan"


"What if Obama is so outside our comprehension, that only if you understand Kenyan, anti-colonial behavior, can you begin to piece together his actions? That is the most accurate, predictive model for his behavior. This is a person who is fundamentally out of touch with how the world works, who happened to have played a wonderful con, as a result of which he is now president.

"I think he worked very hard at being a person who is normal, reasonable, moderate, bipartisan, transparent, accommodating — none of which was true. In the Alinksy tradition, he was being the person he needed to be in order to achieve the position he needed to achieve. He was authentically dishonest." - Newt Gingrich, speaking to the National Review.

Monday, September 13, 2010

Today in Gay History



Happy 82nd Birthday
Robert Indiana,
Visual Artist
(b. September 13, 1928)


Robert Indiana, né Robert Clark, was born in Newcastle, Indiana September 13, 1928. He served in the U.S. Army Air Corps from 1946 to 1949 and then entered the Art Institute of Chicago with the assistance of the GI Bill. Upon graduating with a Bachelor of Fine Arts degree in 1953, Clark won a scholarship to the University of Edinburgh. He earned an Masters degree in Fine Arts there in 1954 and moved to New York City.

Establishing himself in the growing art colony at the very southern tip of Manhattan, he became part of a group of young artists including Agnes Martin, Lenore Tawney, Jack Youngerman, and Ellsworth Kelly. For a time, he and Kelly were lovers.

Clark changed his surname to Indiana in 1958 to reflect better the American focus of his work. He first attracted notice in 1959 with unpainted assemblages, stenciled with short words and constructed from scavenged wood, pieces of iron, and wheels.

Indiana is part of the pop art movement, though he deprecatingly refers to himself as a "sign painter." Like other pop artists he invests commonplace objects and familiar images with new meaning. However, his works occasionally deviate from the pop art norm by evincing intense personal and political engagement. They express concern over social issues and make pointed political statements. His painting Yield Brother (1962), for example, focuses on the peace movement while his Confederacy series (1965-66), created during the Civil Rights movement, attacks racism in four southern states.

He painted "LOVE" for a Christmas card for the Museum of Modern Art in New York in 1965.

The LOVE image had an immediate impact, especially among the youth culture of the 1960s. As a painting, graphic design, and a sculpture, it has become one of the most pervasive and widely disseminated images of all time.

In 1973, the U.S. Postal Service commissioned Indiana to do a LOVE postage stamp. The resulting product became the most popular stamp ever issued by the U.S. government.

In 1978, Indiana moved to Vinalhaven, Maine. Working with Vinalhaven Press, he has used the traditional printmaking media of etching and lithography to depict the solitude and isolation of his life in rural Maine.

Indiana's more recent works include biographical elements of gay lives, including his own.

Indiana continues to work actively and accept commissions. He filed suit a few months ago to protect his rights in his art against his “business” “partner” John Gilbert who’d been merchandizing Indiana’s images in India and elsewhere.

see: http://www.nypost.com/p/news/local/paint_smears_jBZJS1KAzFac0GKYyhIgMO#ixzz0zS1yuIFE

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Tuesday, September 7, 2010

Today in Gay History


Happy 41st Birthday
Rudy Galindo (b. Sept 7, 1969)
the first openly gay American figure skating champion

Credit:
glbtq



With a stunning upset victory in 1996 Rudy Galindo became the first openly gay man and the first Mexican-American to win the United States figure skating championship.

Galindo came from a family of modest means. His father, Jess Galindo, was a long-distance truck driver, and his mother, Margaret Galindo, a homemaker. Rudy Galindo, the youngest of their three children, was born September 7, 1969.

His mother and father made enormous sacrifices so that Rudy and his sister Laura could become accomplished figure skaters as youngsters. Rudy won many accolades in the late 1980s in pair skating with Kristi Yamaguchi as his skating partner. She decided to move to full time women’s singles skating, and , depressed over the break-up of the promising partnership, Galindo turned to drugs and alcohol. He continued skating as a single, but with disappointing results.

Galindo's brother George contracted AIDS in 1992. Rudy Galindo became the primary care-giver until his brother's death in 1994. Only a few months later, Galindo's coach Rick Inglesi also succumbed to AIDS (as had his pairs coach, Jim Hulick). The previous year Galindo had lost his father, who had always been close to and supportive of him, to a sudden heart attack.
Discouraged by his eighth-place finish in the 1995 U.S. Nationals and short of money, Galindo abandoned skating for eight months.

Galindo lacked funds for travel, but since the 1996 U.S. Nationals were to be held in his hometown of San Jose, he resumed training, this time with his sister, Laura Galindo-Black, as his coach.
Discouraged by his eighth-place finish in the 1995 U.S. Nationals and short of money, Galindo abandoned skating for eight months.

Galindo lacked funds for travel, but since the 1996 U.S. Nationals were to be held in his hometown of San Jose, he resumed training, this time with his sister, Laura Galindo-Black, as his coach.
With a string of lackluster performances before his absence from skating, Galindo was regarded as such an unlikely competitor for the title that the United States Figure Skating Association did not even include him in its publicity guides.

After an artistic short program skated to Pachelbel's Canon, Galindo stood third, a result booed by the crowd, who felt that he had been undermarked.

Galindo's style had been criticized as too balletic and not sufficiently "masculine," but his long program, choreographed by jazz dancer Sharlene Franke to Tchaikovsky's Swan Lake, featured eight triple jumps, including two triple-triples. Galindo's flawless execution of a program that was both masterful in its artistry and athletically demanding drew a wild standing ovation and earned him the national title. His artistic marks included two perfect scores of 6.0.

Galindo thus became the first openly gay American figure skating champion. In the exhibition after the competition he wore a simple black costume with a large AIDS ribbon as he skated a moving routine to Schubert's Ave Maria as a tribute to his late brother and coaches.
After winning a bronze medal at the 1996 World Championships, Galindo turned pro, joining the Champions on Ice tour.

In the spring of 2000 he had to withdraw from a performance due to shortness of breath. A subsequent medical examination revealed that he was HIV-positive. Galindo suspects that he contracted the virus during his period of depression, when he practiced unsafe sex. Galindo made the news of his diagnosis public and quickly resumed skating. He is still active on the tour, where he is popular with fellow performers and audiences alike. His signature piece, "Village People Medley," is a particular fan favorite.

In the summer of 2002, Galindo was diagnosed with avascular necrosis in his hips, a condition that results in the death of bone. It is an increasingly occurring condition in long-term HIV survivors. Although he skated with the debilitating disease for over a year, in 2003 he underwent two operations to replace his hips. By April 3, 2004, he was ready to return to the Champions on Ice tour, where, skating on two new hips, he exemplified the determination and courage that has characterized his entire career.

Galindo has worked to increase AIDS awareness, especially in minority communities. He served on the National Minority AIDS Council, and in 2001 received the Ryan White Award for contributions to AIDS awareness, prevention, and education.

Monday, September 6, 2010

Happy Labor Day

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Wednesday, September 1, 2010

Do You Know What It Means


To Miss New Or-leans, 5 years after the Deluge

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Saturday, August 28, 2010

This Weekend in Wingnuttery

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Sunday, August 22, 2010

This Week in Gay History

August 22-25, 1968

At the Democratic Party National Convention in Chicago, a sub-convention of gay rights groups coalesced under the moniker of the North American Conference of Homophile Organizations (NACHO) met to create a Homosexual Bill of Rights and coined the slogan "Gay is Good," an homage to the Black Power slogan "Black is Beautiful."

Their non-violent gathering and meetings were greatly overshadowed by the large number of leftist anti-war groups coalescing in concert with the Youth International Party (Yippies) and other more “demonstrative” characters. Crapaud was there attending a college social fraternity annual gathering in Evanston, but did just barely escape being tear-gassed downtown one evening when he took a wrong turn on a walking tour. It was the first time I ever saw machine gun emplacements and armed soldiers on the street corners of an American city.

A number of lesbian organizations, still concerned over the lack of attention being paid to their issues, refused to participate. Daughters of Bilitis president Rita LaPorte compared the relationship between NACHO and DOB to a husband and wife. Heterosexual women, she argued, dissipated their energy through their marriages; similarly, lesbians risked dissipating their energy should DOB become a surrogate "wife" to what she perceived as the male-centered NACHO.

NACHO held national conferences in 1969 and 1970, but faded in importance with the rise of the Gay Liberation Front and others becoming more radicalized after Stonewall.

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